Sonic Labyrinth
Produced by Justin Marshall and Aviva Endean
Developed in partnership with Castlemaine State Festival 2019
In residence 4 – 24 March 2019
Performances 23 and 24 March, 2019
Aviva Endean and Justin Marshall share a deep fascination with sound and interactive artworks, focusing on creating spaces for deep listening as well as the playful engagement of the audience.
Sonic Labyrinth invites you into an immersive and interactive journey. Each turn uncovers the possibility for new ways of creating unusual experiences with sound and special listening devices that enable you to hear sounds on the edge of perception. The journey will have opportunities for solitary, intimate and collective sound-making, and reflects on the age-old uses of the labyrinth for problem-solving, accessing creativity, transformation and celebration. Suitable for children 9-13 years.
Parallax
In partnership with Punctum Inc.’s Seedpod Program
In residence 8 – 19 April 2019
Showing 11 April, 2019
Punctum Inc.’s Seedpod program has been supporting artists in residence for over ten years. Following the partnership project RESTORE in 2018, this year one of Australia’s most innovative performance artist, Melbourne based choreographer and animator Dr Megan Beckwith, will CREATE AT HOME in April.
Megan’s project Parralax is a contemporary dance work that integrates human movement, animation and 3D illusions, promising to be a daring dance and digital technology experience. The AT HOME development showing and audience feedback event leads into the work being presented as part of Regional Arts Victoria’s and Victorian Association of Performing Arts Centre’s 2019 Showcase event in May.
Deep Space
Produced by Tegan Gigante
In residence 24 June – 14 July, 2019
Performances TBC
Deep Space aims to provide audiences with the opportunity to engage with an immersive, embodied experience, combining spoken word and musical sound-scapes in an atmospheric setting.
The project is concerned with transforming poetry - usually an individual, analytical, process of reading on the page - to an immediate, shared and heard experience. The collaboration with musicians will incorporate feeling and tone, drawn directly from the words and taking the listener on a journey through feeling and imagination.
The Language My Mother Speaks
Produced by Samantha Bews
In residence 15 July – 4 August, 2019
Performances TBC
The Language My Mother Speaks will be the third major project created by Samantha on the themes of dementia and personhood. The project will be a collaborative project between Samantha (theatre artist), Denise Martin (film maker and photographer) and Tim Preston (lighting design and production management).
This project jumps into the territory of consciousness and takes as its starting point the artist’s impressions of the last year of her mother’s life as she lived in a state of advanced dementia. The Phee Broadway Theatre will be transformed into many rooms of consciousness to create an installation ‘mansion’ that the audience will walk through.
A Coffee Cup
Produced by Mark Penzak
In residence 13 January – 2 February 2020
Performances TBC
A Coffee Cup is a ten-minute mini play that explores private conversations conducted in public spaces.
The audience – who are first invited to order a cup of coffee as if in a café – will sit at one of four tables in groups of three or four where an actor is seated. The actor will talk to them as if they’re old friends sharing a confidence, with each actor telling a different story. The whole event runs for 90 minutes with the audience arriving throughout, getting their coffee and joining the first available table. The audience’s attention is centred on their own table but they’ll overhear fragments from the other’s – some loud and boisterous, others quiet and sad.
Ghosts in the Kitchen
Produced by Pricking Thumbs Collective
In residence 3 – 23 March 2020
Workshops and performances TBC
Following two weeks of experimental script development and three open public inter-active workshops, a new group-developed play will emerge. Ghosts in the Kitchen will see this well-established group of thesbians bring Ibsen’s words and his futuristic visions into a limited space, found though improvisation, heated arguments, anecdotes and remembrances. Isben’s themes have touched each of their lives and they consider that 140 years later, the ghosts are their own and of this society, and they still haunt us.